Archive for the ‘jimmy chamberlin’ Category

Q101 personality: “I’m a radio DJ”

Monday, November 24th, 2008

WKQX-FM employee Electra, who claims in her blog sidebar to be “a radio DJ” by trade, has marveled at the Smashing Pumpkins’ ability to choose music to play during their recent visit to that station’s studios:

During the takeover, I thought that Billy Corgan sounded like an articulate and frustrated man who is highly critical of many things, including himself. I appreciated his explanations for his behavior - it seems like it’s just as hard for him as it is for the fans that it’s no longer 1993 - and intrigued by some of his musical choices. Who’d have thunk that I’d ever hear ZZ Top, UFO and Scorpions on my station?

Q101.com has posted a recording of the band’s hourlong “takeover” in two parts (first half-hour, second half-hour).

Corgan, Chamberlin on WLS-AM’s “Roe Conn Show”

Wednesday, November 19th, 2008

Listen live to WLS here.

2:09pm CT: Hosts and callers are making so-hilarious jokes about a proposal for a gays-only high school in Chicago. (The Pumpkins have yet to appear or be mentioned.)

2:30pm: The hosts are now bantering about an upcoming Chicago performance to be given by…Richard Marx. Somehow this leads into the first mention that the Smashing Pumpkins will be joining them a little later in the show. (Probably around 3:30pm CT.)

3:13pm: So far, fans of “Soul Train” host Don Cornelius have been given more to chew on than we have been.

3:27pm: TV newsman Ron Magers is exiting, with the rockers about to claim their seats in the studio. If you’ve been waiting to tune in, do so now!

3:40pm: An unspecified “mistake” has been made, and as a result the band members are in the “green room” and are “refusing” to enter? The hosts are making light of whatever the situation is…

3:43pm: Roe Conn says, “I’m going to go talk to the Smashing Pumpkins and see if I can convince them…” and then trails off and returns to filling time with a discussion of some unrelated t-shirt deal and, then, the stock market.

3:47pm: “We’ll come right back with your Pumpkins after this.” Cue commercials.

3:52pm: “The Smashing Pumpkins are hiding. They stormed out of the green room…and are refusing to go on before [other guest] Ben Vereen. There was an argument that broke out between the Pumpkins and Ben Vereen. I don’t know what to do about this.” Haha… (Conn is saying this all in good humor, so it’s hard to know what parts or how much of it to take seriously.)

4:01pm: “Billy Corgan in the building! Jimmy Chamberlin also…” but first the news.

4:08pm: They at last kick off the interview with the classic clip of Corgan talking to Homer Simpson, and then the sounds of “Tarantula”. The hosts joke with Jimmy about his playing air-drums to the song.

4:10pm: Billy says his first concert was Asia at the Auditorium Theatre, at age 14, in the “crazy top tier” of seats.

4:13pm: Billy recounts a recent stunt in Tampa, where the band pretended to end the show before an “unwelcome” Billy Sr. came on stage to plug in and blues-rock out.

4:17pm: The hosts lurch from grilling Jimmy about women to asking Billy about his appearance on “Bozo: 40 Years of Fun!”. That’s some local flavor. Billy recounts a story about seeing his favorite Bozo (Bob Bell) on his 11th birthday. Apparently, during the Grand March exit, his tender pre-pubescent ears heard curse words out of the famous clown’s mouth. Jimmy cackles.

4:22pm: Roe Conn pimps the new DVD, asking if it’s available on the website (uh, yes) and promoting the shows this week in Chicago. Presumably, it’s time for the Pumpkins to head to soundcheck for their show tonight.

4:24pm: The clip of Homer Simpson plays: “I’llll miss you Pumpkins.” Show’s over, folks.

4:29pm: …though the hosts did come back after the commercial still talking about the band, spinning “Tribute to Johnny” (!) as transition music and with Conn saying that those who miss James and D’Arcy should “get over it”. Now I will close the streaming-audio player. Blog’s over, folks!

Ohio writer finds hindsight humor in Halloween happening

Thursday, November 6th, 2008

As Commander Corgs might put it, Jester John Petric of the Other Paper didn’t get the joke — but he did appreciate the rock:

At least when idiot bands like Phish pull a Halloween stunt, it’s surrounded by a sense of fun—patchouli-drenched stink-bomb fun, but fun nevertheless. Bill the Butcher’s “acoustic” set was about as much fun as Ryan Adams looking in the mirror.

But when the electric Pumpkins finally came on, sans Halloween costumes, they did prove— once again—that they are one of the great rock bands. Especially with the drums manned by the powerful Jimmy Chambers [sic], whose precision timing and ability to make his skins speak in tandem with Corgan’s seriously dynamic guitar playing make the pair perhaps the most underrated team in music.

The bottom line:

[A]dd tons of bone-splintering, wicked guitar riffing, a crack band, a sold-out house, Halloween and Billy’s megalomaniacal personality, and it was a strangely memorable night. In the end, I admired him for being such a gigantic and talented asshole.

New metaphor needed

Monday, October 27th, 2008

After listening to the unsafe-for-broadcast section of the Smashing Pumpkins’ set for “Jimmy Kimmel Live” provided in this post, previous descriptions of Jimmy Chamberlin’s drumming may seem insufficiently evocative.

“Superchrist” / “United States” (19:05)

(Recording by Netphoria user Diss N. Chanted.)

 

 

Mancow interview transcript, part three of three

Friday, August 15th, 2008

Below is the third and final segment of the Smashing Pumpkins’ interview (part one, part two) last Monday on the syndicated radio program “Mancow’s Morning Madhouse”.

Mancow Muller: Hey, fellas, let me ask you something. I mean, ’80s music, the stuff that we grew up with, is so huge again. And when we were kids, it was ’60s music, right?

Billy Corgan: Mhm, Sha Na Na.

MM: At some point this stuff will go full cycle and the ’90s music will hit again. Do you guys envision yourself, you know, at 50 years old, 60 years old, singing “Today”?

BC: That’s a bridge you cross when you get there.

MM: Billy, when you go see these bands that you like and that I like, do you think, “Ah, it’s just nostalgia?” Should they quit, or do you admire them for keeping it going?

BC: It depends on the artist. I think if the artist is still creative…like, look at Neil Diamond: he’s still releasing new songs, he’s a great songwriter, you know? Somebody like that, then I think it’s about the present and the past. Neil Young, the present and the past. With us, it’s about the present and the past. When it turns into just a past thing, that’s where you lose me.

MM: I saw Neil [Diamond] two Saturdays ago.

BC: Was it good?

MM: Yeah. I mean, sure. He did “Sweet Caroline” three times.

BC: That’s weird.

MM: Three times.

BC: Wow.

MM: And what is it about that song that white people have to sing along?

Jimmy Chamberlin: [laughs]

MM: [singing] So good, so good, so good! …Billy, he did do the song I want played at my funeral.

BC: Which is?

MM: “Hell Yeah”.

BC: I don’t know that one.

MM: Well, buddy, you better have someone download it for you.

BC: Okay.

MM: Because it’s his masterpiece.

BC: All right.

MM: “Hell Yeah”, him and Rick Rubin, you’ve got to hear it.

BC: [laughs]

MM: I mean, you guys could have done it better, I hope I haven’t gone into dangerous territory here. But he does pretty well.

BC: God bless. …Are you out of controversial subjects? There must be another one, right?

MM: No! No, I’m just having a conversation with my buddies. So the Smashing Pumpkins continue. The last CD was a smash.

BC: Yeah, we did good.

MM: The concerts are selling.

BC: Yeah.

MM: You guys are all getting along.

BC: Yeah.

MM: Jimmy, you’re off the drugs.

JC: I’m completely clean and sober now for over four years.

BC: It might have something to do with the drumming.

JC: [laughs] Yeah, right.

MM: What do you mean?

BC: Well, that’s why he’s playing so great, I mean…can you imagine, he played…he was out of his mind all those years, with how good he played, and he plays even better when he’s clean and sober.

MM: Jimmy, is there any aspect of that guy that you miss?

JC: Um, no. No, because I gotta say that all those things were filling up empty holes, and those holes have been subsequently filled by my family and my music. I’ve been completely lucky to have kind of lived by fire and kind of survived. And now I’m living by love and water and surviving even better. So, I’m completely happy where I’m at, I’ve never been happier. I have two beautiful kids, a beautiful wife, you know, a beautiful partner, I mean, things are great.

MM: I have two daughters now. My life has changed. I don’t really want to fight Billy as much as I used to want to fight him.

BC: [laughs]

MM: Billy, I’m sure Jimmy’s told you, I told you in Toronto: Kids? When? When are you gonna do it?

BC: I’m…believe me, I’m waiting. It just hasn’t worked out. I really must be miserable to be around, because…

MM: Do you want to have kids?

BC: I do. I’ve wanted to have kids since my late twenties. It’s really probably one of the great tragedies of my life that I don’t have kids.

MM: Is it possible that, just, you don’t have any swimmers?

BC: Uhm… [laughs]

MM: Billy, I would run into you occasionally, and Chris Farley lived in my building where we broadcast, and we would run into you, you know, with your floppy hat, and you’re a very shy guy and everything, but we would see each other every once in a while. When you’re clicking through cable and you see a Farley movie, does that…I still feel kind of sick to my stomach when I see him.

BC: What a great tragedy. He was so talented, and he was such a sweetheart, such a sweetheart. He really was.

MM: Do you feel anything?

BC: In terms of?

MM: Yeah, if just, if “Tommy Boy” is on TV, do you go, “Ohh, man”, because you ran into him a lot.

BC: He — and I think Jimmy can vouch for this — when you talk to him behind the scenes, you realize what a sweetheart he was. And he had that great gift like Belushi, where he could just make you laugh just by the way he moved his body, which is such an amazing talent. He was such a great, gifted person.

MM: All right. Well, guys. Thank you very much.

BC: Thank you!

JC: Thank you.

MM: And, uh…you’re going to be in the area. Are you actually going to come in sometime and see my, uh, my new empire?

BC: We will.

JC: Yeah, of course.

MM: Jimmy, anything else you want to say?

JC: No. All good, man. Good to talk to you.

MM: Thanks guys. Billy, thank you.

BC: Thank you, Mancow, nice to talk to you.

Mancow interview transcript, part one of three

Thursday, August 14th, 2008

Talk Radio Network’s Mancow Muller interviewed Billy Corgan and Jimmy Chamberlin of the Smashing Pumpkins last Monday. Audio of the interview can be found here.

Here’s the first portion of a lengthy full transcript:

Mancow Muller: Billy!

Billy Corgan: Yeah! Hey, good morning.

MM: I thought you’d never do my show again.

BC: Oh, stop it.

MM: Are we friends now?

BC: We are friends.

MM: Okay. I told you just a couple times that you hurt my feelings when you said that you didn’t think radio really helped the Pumpkins. Have you changed your mind on that?

BC: [laughs] It’s helping me now.

MM: Jimmy’s on the line too, Jimmy Chamberlin. Billy Corgan, the lead singer of the Smashing Pumpkins, Jimmy Chamberlin…

Jimmy Chamberlin: What’s up, Mancow?!

MM: Hey guys. I got a chance to catch you in, uh, I don’t know, Toronto, I think, and it was spectacular.

JC: Oh, thank you!

MM: How are things going for you guys?

BC: Good. We’re so busy, it’s crazy.

MM: What are you working on right now, Billy? Aren’t you working on one of the Guitar Heros or something?

BC: Yeah, I’m going to be in the new Guitar Hero, like, actually be in the new game, which was pretty cool. We just recorded a new song, we’re getting ready for our tour, we’re getting ready for our 20th anniversary tour, we’re getting ready to put out a Gish box set.

MM: The new song is called “G.L.O.W.”, right?

BC: Yes sir.

MM: What does it stand for?

BC: Glorious Ladies of Wrestling.

MM: What?!

BC: Don’t you remember the Glorious Ladies of Wrestling?

MM: Yes! Yes, I do.

BC: I bet you had a few private moments with the Glorious Ladies.

MM: I did, I did, actually. Farmer’s Daughter.

BC, JC: [laughter]

MM: Billy, what weird things turned you on?

BC: Uh, I don’t know. I don’t talk about those things.

MM: You don’t have a record company now, do you?

BC: No, no, we’re free. It’s awesome. I mean, it’s amazing to be free in the market…”market” sounds so businesslike. In the world we live in now, the digital market world, whatever, it’s so cool because you can basically do whatever you want.

MM: Did they ever “get” you, Billy? Did they ever get the Pumpkins?

BC: The last record company, no, unfortunately. But some of the people at our old record company did, and they had everything to do with why we were so successful.

MM: And of course, the minute the Smashing Pumpkins had a hit, a lot of your people started hating you. The minute we played you on the radio people hated you.

BC: Well, that’s just the weird “alternative” world.

MM: But isn’t that weird?

BC: You remember that episode of Star Trek where Captain Kirk had to fight his…self? His anti-Captain Kirk? That’s what it’s like being in alternative rock. It’s like, if you’re too good, they hate you; if you kind of suck and you smell bad and you have a beard, you’re good. It’s that weird thing. You gotta be good enough to be listened to, but bad enough that the mainstream world doesn’t want to hear you. We’ve been around for twenty years now, and we’re still…still getting it done. So we must be doing something right.

MM: You told me something in Toronto that I want to reveal, and I hope you don’t get mad at me. You said you’re making more money now than ever before.

JC: [laughs]

BC: Uhh…did I say that?

MM: Yes, you did. Selling your CDs online, doing whatever the hell you want, no middlemen, touring when you want, collecting the money and not having to divvy it up with record companies and promoters…you’re doing better than ever before.

BC: That’s basically true, but we also have to spend more money to do that, so maybe it’s a bit of a lie, but yeah. Put it this way: the most important thing with that is the freedom — not sitting in the back of your mind thinking somebody’s going to shut us down here somewhere along the chain. I think that’s what’s really important to get back to just making great music, and if people want it, they’ll find it, believe me, in this world.

MM: You’ve made me mad, you’ve burned bridges. Do you regret any of that?

BC: Oh yeah. Of course I do. I’m 41 years old now. I did a lot of stupid things. But I’ll say this: most of the stupid things I did were at least out of the idea that I didn’t care because I wasn’t gonna get on my knees and *bleep* anybody else *bleep*…

MM: What about Jimmy?

BC: Oh, I’ve done that many times.

MM: No, but I mean, would Jimmy have *bleep*?

BC: With the Jimmy Chamberlin Complex, yes, he would have.

JC: [laughs]

BC: The point is we came out of nothing. We were lower-middle-class kids. We didn’t grow up thinking we were gonna be on, you know, Solid Gold or whatever. Suddenly we found ourselves in this situation. So we were like, we had to make weird choices. I think we were immature and we didn’t realize that dying wasn’t a good idea. [laughter] You know, killing ourself, killing each other…those were all bad ideas.

MM: Standing next to Jimmy on stage is an amazing thing. The amount of energy that you put out, Jimmy. You are an amazing drummer. Billy, do you tell him? I know you have trouble with this…do you tell him how great he is?

BC: All the time.

MM: Can you do it right now?

BC: I think Jimmy is the best drummer in the world.

JC: Aww, thanks!

BC: I think no drummer in the world can do what Jimmy does, wihch is to play with that level of power for two hours like that and play to such a high level. And he’s able to play all different styles. Jimmy’s played on mellow songs, heavy songs. I mean, he’s up there with Bonham, you know…

MM: I agree.

BC: That level of drummer who’s been able to play in a different variety of music and have his style impact the way people play the drums, that’s the hallmark of a great drummer. Right now, I think pound-for-pound he’s the best drummer in the world.

JC: Aw, thanks a lot.

Stick Tossing Incident 2007 [citation needed]

Saturday, July 12th, 2008

Wikipedia Logo
An anonymous Wikipedia contributor using the IP address 71.103.243.55 spent Friday making a highly relevant and insightful addition to Jimmy “The Joliet Mustard” Chamberlin’s Wikipedia entry.

At a sold out show in Seattle as the headliner of the Endfest festival in 2007, Chamberlain caused an altercation during the performance of “Drown.” Chamberlin awkwardly tossed a drum stick into the crowded general admission area of QWEST Field and set off a chain of events that lead to a small skirmish and eventual destruction of the coveted souvenir. A 20-something woman and a middle aged, overweight hipster struggled over the wooden rod for nearly 60 seconds. When an agreement could not be reached regarding visitation, the stick was crudely snapped in two, thus leaving both parties with a frayed, incomplete token of the memorable evening.

Totally Random Find

Tuesday, June 17th, 2008

Netphorian SlingeroGuitaro pointed out a new commercial for GameFly which allegedly features a Jimmy Chamberlin drum loop about sixteen seconds into the spot; check it out below to make the call.

Jimmy Chamberlin: A Great Drummer or The Greatest Drummer?

Thursday, June 5th, 2008

In a recent countdown of the “Greatest Drummers of All Time,” Gigwise.com was less ambivalent about the Smashing Pumpkins than they have been in the recent past. Coming in at Numero Cinco, they applauded Jimmy Chamberlin’s career and mad drumming skillz. Gigwise sez:

5. Jimmy Chamberlin of The Smashing Pumpkins - As The Smashing Pumpkins’ drummer, Jimmy Chamberlin has had to deal with the walking ego that is Billy Corgan for 20 years. But he has also had to compete with him musically, bringing his jazz background into the Pumpkins heavy, melancholic sound. He is renowned for his lightning quick hands as well as his incorporation of different styles into the rock arena. A true legend of the sticks.

Chamberlin makes a good showing in the list, falling just behind Neil Peart of Rush at #4, Danny Carey of Tool at #3, runner-up Keith Moon of The Who, and top dog John Bonham of Led Zeppelin.

On a related note, thanks to Netphoria for the heads-up. I will not link you there because it just crashed my computer three times in a row.

Site begins again

Wednesday, May 28th, 2008

The website for the Jimmy Chamberlin Complex is back, its “technical” problems apparently solved.

HU Podcast #4: Former Band Member Spectacular

Tuesday, May 6th, 2008

podcast logoWe deviated from talking purely about the Pumpkins’ music this week to have a special themed show about former band members.  I didn’t mention it in this week’s show, but our next show review will be of the June 5th, 2007 secret show at Zitadelle Spandau.  This will either be in episode 5 or 6 depending on what pops up in the news.

Listen to the whole show (1:01:45)

(download)(iTunes)

This week’s topics:

Panelists
-Chris, Jason, Jill, and an uncredited Andrew

We welcome back Jill by grilling her on the topics that she missed. (3:54)

News
-Cherub Rock has now been included in virtually every video game released in the past year.  We talk about what’s with all the cross-promotion. (5:02)

-David Pajo makes some snarky comments about Billy, and Jason and Jill swoop in with talons sharpened. (14:05)

In-Depth Discussion
-Pajo wasn’t the only former band member in the news this week.  We tackle last year’s controversy over whether it’s really The Smashing Pumpkins without James and D’Arcy.  Plus, Jason makes a comparison between Billy and Michael Jordan that doesn’t have to do with both of them being bald, and I make references to a Marked song. (28:16)

This Week in Pumpkins History
-The first official Smashing Pumpkins release, the Limited Potential I Am One single, is delivered to the masses.  Plus, I promise giveaways on which we can’t possibly follow through.

Song of the Week
-Farewell and Goodnight, April 5th, 1996

HU Podcast #2: PR Shills, Latin America, and Unbridled Speculation

Tuesday, April 22nd, 2008

podcast logoThe band may be ending their touring and going into hibernation, but the HU podcast is just getting started. Thanks to everyone who listened last week and welcome to those just now finding us from one of the many places on the web I’ve shamelessly plastered the URL. This week we kept our technical difficulties mostly in check so that we could discuss recent band news, the end of the tour, and the future of the Pumpkins.

If you’ve fallen into the clutches of the Cult of Steve Jobs, you can now subscribe to our podcast through the iTunes Music Store, or you can always listen to or download the entire show right here.

Listen to the whole show (53:23)

(download)

This week’s topics:

Panelists
-Chris, Jason, and Andrew

News
-The Pumpkins get inducted into the Rockwalk, high honor or shameless PR? (7:48)

-Got Milk? Milk has the Pumpkins, along with a totally radical teen-oriented website. (3:33)

Tour Roundup
-The tour ends, but not before Jason educates us on the finer points of mariachi outerwear and discusses the evolution of United States. (9:26)

In-Depth Discussion
-What’s next for the Pumpkins? I give Andrew and Jason $100 to wager on the band’s next move. Will they put it all down on a return of the Audio Vanguard Association? Plus, I drop all pretense and beg for a pre-Gish tour. (18:57)

This Week in Pumpkins History
-The Zero single is released, leading to years of Pastichio Medley timecode debate. Plus, the Arising! tour ends and Andrew assigns blame for the breakup of the band. (5:59)

Song of the Week
-Zero April 17, 1999

Next week we will be doing a review of the Double Door Show from February 28th, 1995. If you’d like to listen to the show before hearing us talk about it, download it from the Live Music Archive.

Thanks for all the great feedback last week. Again, you can Contact Us or leave comments in this post.

Duran Duran’s Taylor blogs: Jimmy “positive”, Billy “sweet”

Sunday, April 20th, 2008

Duran Duran bassist John Taylor has posted a blog recounting he and his band’s recent swing through New Zealand and Australia, where they were billed on V Festival along with the Smashing Pumpkins. In the blog Taylor tells of meeting key Pumpkins Jimmy Chamberlin and Billy Corgan over breakfast in Auckland:

I must say, I really enjoyed spending time with those guys. Jimmy is a really positive, good guy, and it wasn’t until our last show together, in Perth, that I would get to see what an awesome drummer he is. Billy is sweet and interesting, all music. It turns out the Pumpkins are major Grand Prix junkies, like Duran are for Soccer/Football. We exchanged views on the state of the music nation, neither of us really having a clue, to be honest, but when I mentioned that I was getting into Chicago blues Billy just lit up. It seems he is a major collector of rare vinyl and even takes a turntable on the road, which I felt rather trumped my Bose sound dock for commitment to the cause. And boy, did he wolf down that bacon and pancakes! That was the last time I saw a morsel pass his lips, however, which would explain his perfectly slim build.

On a lighter note — Some Eye Candy!

Friday, April 11th, 2008

The last leg of the Australian tour has brought more great photos to the Flickr photostream, and I’m back to send you some great stills. Check out these below for a quick dose of eye candy, and be sure to check out the photographers’ individual feeds to give them props.

Photos courtesy of nic bezzina, Matt Carty of the Messenger News, and David Craddock Photo

Jimmy Chamberlin Complex website down, to return “soon”

Friday, April 11th, 2008

A little bird tells HU that the “technical” problems at jimmychamberlincomplex.com will not prevent the site from returning “sometime in 2008″.

After this, I was foolish enough to assemble my friends, family, and colleagues to bear witness as I asked the amazing talking creature “But what do you mean by ’sometime’?”

 

 

Jimmy invents new…sport? instrument?…in Brisbane

Monday, March 31st, 2008

This could be the start, intentionally or no, of Australian rules tambourine. It may also be just “Perfect”.

More pictures from the Brisbane show can be found at a blog called paperbackscrawl.