Archive for the ‘business’ Category

Audio for the Affluent

Wednesday, November 12th, 2008

Yesterday, SP.com featured LiveSmashingPumpkins.com’s newest offering: a bundle that includes download rights to all soundboard shows on the current tour.  Sweet.

So I clicked through to this ad.  And my jaw dropped.

livespdotcom.png

This package includes 23 shows, 16 of which are the two-night Black Sunshine / White Crosses shows.  And, I think the shock of the numbers speak for themselves.  But you might wonder, how much would I be saving if I chose to buy all of these separately?  Well, here’s the number-crunching:

livespbundleanalysis.png

Aside from the reported issues (like gaps, dissatisfaction with vocals, and repeated song segments), the recordings sound terrific.  But for $350?  Why not offer a more reasonable bundle, like a 5-pack download for $50?  Or include a significant discount with concert ticket purchase?

Firm that manages Pumpkins in merger with Ticketmaster

Friday, October 24th, 2008

Backslaps all around:

Ticketmaster, the world’s leading ticketing company, [Thursday] announced an agreement to acquire a controlling equity interest in Front Line Management Group Inc., one of the world’s leading artist management companies. Ticketmaster also announced that Irving Azoff, founder and chief executive officer of Front Line, will become Chief Executive Officer of Ticketmaster. …

“Front Line and its artists have never had a better partner than Ticketmaster and Barry Diller,” Mr. Azoff said. “Now we have the opportunity to redefine the business at a time of great change and opportunity. Consumers, artists, teams and venues will all benefit from this exciting new Ticketmaster Entertainment platform going forward. I can’t wait to create the future of the business with my new senior colleagues at Ticketmaster, Sean Moriarty, Terry Barnes, and Eric Korman.”

Front Line Management had been looking for great marketing alliances to support the Smashing Pumpkins’ past and present musical offerings since 2006.

Corgan a no-show at “masterclass”

Wednesday, October 22nd, 2008

That EQ Magazine event scheduled for tonight? Didn’t happen:

CANCELED: An Evening with Billy Corgan, a Live Online Masterclass, October 22nd
We regret to inform EQ readers and online users that this event has been canceled.

Back to School with Billy Corgan

Saturday, October 18th, 2008

Billy Corgan is taking his great marketing alliance with EQ Magazine to new heights after his recent feature and exclusive interview. An “EQ Online Artist Master Class with Billy Corgan” will feature an open Q&A session for all the “recording-related questions you never thought you would get a chance to ask.”

The event is planned to take place next Wednesday, October 22nd at 7:30pm PST (11:00pm ET), since the Smashing Pumpkins will presumably be setting up camp on the West Coast. There is a fee to register: $9.95 gets you a dial-in to the live viewing and “nine additional viewings of the archived webcast.” Hmm. To register, go here.

Has anyone attended an online master class with EQ before? It looks like they’ve done one on signal processing before.

DeRogatis hits Smashing Pumpkins over Ticketmaster presale

Monday, October 6th, 2008

Chicago Sun-Times music critic Jim DeRogatis blogs today:

Tickets for the four reconstituted Pumpkins shows in November go on sale to the masses at 10 a.m. on Oct. 13 — prices $50 to $54, with nearly $15 in tacked-on fees — through the egregious Ticketmaster. (Remember when Billy Corgan tried to control his own ticket sales? Those days are gone.)

There is, however, some sort of privileged American Express cred-card holder presale already underway on Ticketmaster, which means you can buy your tickets now if you happen to have that piece of plastic in your pocket. (There were no details about that from the band or the promoters; I just stumbled upon it.)

Ticketmaster.com has a page describing its promotions with American Express:

Through American Express “Early On Sale” offers for select shows, you’ll be able to purchase tickets before they go on sale to the general public! …

Some past American Express Early On Sales include:

  • The Rolling Stones
  • The Who
  • Roger Waters
  • Genesis
  • Wicked
  • Barbra Streisand
  • Eric Clapton
  • Christina Aguilera
  • Aerosmith
  • Rod Stewart
  • Celine Dion
  • Barry Manilow
  • Pirate Queen
  • The U.S. Open
  • Mariah Carey
  • Tom Petty
  • Mamma Mia!
  • Los Angeles Kings
  • New York Knicks
  • Radio City
  • Christmas Spectacular

WaPo: Pumpkins once held ‘anti-commercial notions’, now don’t

Saturday, October 4th, 2008

Lavanya Ramanathan of the Washington Post announces the upcoming visit of the Smashing Pumpkins to that city:

Who exactly are the Pumpkins these days? Only Billy Corgan and Jimmy Chamberlin continue; gone are James Iha and D’Arcy Wretzky, replaced by performers whose faces haven’t been on the cover of Rolling Stone. And gone, too, are some of the great anti-commercial notions of 1990s rock: The upcoming Pumpkins single will be released via . . . Guitar Hero.

So releasing albums via Virgin Records and videos to MTV, playing Lollapalooza, and, yes, appearing on the cover of Rolling Stone: anti-commercial. Not being on a record label and releasing a song through a video game: commercial.

If you don’t understand that, apparently you just aren’t sophisticated enough to be reading the Washington Post, are you?

Netphoria owner failed in efforts to sell fansite to Corgan

Friday, October 3rd, 2008

Multiple sources tell HU that the owner of “the largest Smashing Pumpkins community forums that Billy Corgan loves to hate” recently offered to sell those forums…to Billy Corgan. More than one overture has been made to the band by Netphoria.org principals within the last two months, but fear not — Corgan turned them down flat. Maybe he just loves to hate the site too much.

 

 

TNA wrestlers are the real, if real ever was

Monday, September 15th, 2008

The Smashing Pumpkins wouldn’t consider Hammond to be Chicago, but those developing promotional material for the upcoming Total Nonstop Action pay-per-view event “Bound for Glory IV” couldn’t seem to repeat the word Chicago often enough. The venue? Sears Centre Arena in Hoffman Estates.

Their contrary views on suburban identity notwithstanding, TSP and TNA have finally aligned themselves from a marketing standpoint. The band’s recent single “TaraNtulA” has been creatively recapitalized chosen as theme song for the big smackdown, and there may be more partnering in the works:

TNAwrestling.com will post more information in the coming weeks on the Smashing Pumpkins teaming up with TNA.

Below: These guys don’t want to fight every single night? (YouTube)

Amazon lists residency DVD, 4-hour run time, Nov. 11 release

Sunday, September 14th, 2008

The documentary “If All Goes Wrong” can be pre-ordered at the colossal online retailer:

Product Details

* Actors: Smashing Pumpkins
* Directors: Smashing Pumpkins
* Format: NTSC, Surround Sound
* Region: Region 1 (U.S. and Canada only…)
* Number of discs: 2
* Studio: Aphrodisio Recording
* DVD Release Date: November 11, 2008
* Run Time: 271 minutes

Aphrodisio bills itself as “one of the leading U.S. based independent dance music labels” (!).

(Thanks to Matt M. for the heads-up.)

UPDATE: If you’d like to support the community forums that Billy Corgan loves to hate, you can pre-order the DVD using this link. Or this one. Whichever. Just don’t click here.

ch6/the story of Machina (so what could I do but try to finish)

Friday, September 12th, 2008

SmashingPumpkins.com writer Supervajra, in a third piece on the Machina band-imitates-band concept, elicits this reminiscence from Billy Corgan:

When the re-formed band agreed to the concept in october of 1998 as a way to bring the band to a close, everyone agreed to “play their part’ all the way down the line. I never envisioned that D’arcy would leave in April of ‘99, and that subsequently the 3 of us would try to finish. This put a stress obviously on the full integrity of the project. Because it was connected to the band not only bringing the music to fruition fully, but also the public component of being in character. I ended up in a broken band with a half-ass enthusiasm towards finishing a project already started…

Being bullheaded I pushed on, underestimating the strain it put on me to try to finish something I was no longer sure of. The songs were all written TO the concept, so what could I do but try to finish. I almost abandoned the entire project half-way thru. It took every fibre of my being to just not quit then and there in the middle of it. Jimmy wasn’t in the best state and James was, well, being James. The only reason I finished it was because I wanted off what had by then become a horrible label. And before anyone cries sell out + $, know that if I had disbanded the group then I would have gotten all the $ on the record and or shelved it and done whatever I wanted to instead music wise. I was the only person who could be held to the deal. James and Jimmy would have walked away free as birds, not only of the group but the contract as well. It was the last record of the deal, and that played into how it all went down.

If that just isn’t enough Machina mystery for you, the Internets will soon yield up Nick Kushner’s “Machina, Alchemy & The Occult”, an encyclopedic, novel-length mini-site currently in production”. Teaser material for the site can be seen here and here.

After the jump: Our speculative dramatization of an under-his-breath wisecrack that could have gotten James in trouble for, well, being James. [WARNING: Dramatization may be in LOLGATMOG form. I blame Jill…] (more…)

Can Billy sue?

Sunday, August 31st, 2008

As reported by Food Standards Australia New Zealand, a small company in New South Wales has just issued a recall on one of its dairy products. That’s never good for publicity, but it could theoretically get worse if the web posting draws international attention to the company’s rather unoriginal name:

Smashing Pumpkins
Yoghurt Sultanas Tubs
Use by: 15.09.08

Smashing Pumpkins wishes to advise its customers that they are conducting a voluntary consumer level recall on the above product due to an undeclared allergen as the product contains peanuts not declared on the label…

Smashing Pumpkins apologises to its customers for any inconvenience caused by this recall.

Smashing Pumpkins
Shop T19 Erina Fair
Karalta Road, Erina, NSW

The “Pumpkins Approach” to music release?

Wednesday, August 20th, 2008

In an amusing interview with Rolling Stone, Kele Okereke of British indie giant Bloc Party gets all teary-eyed and waxes poetic about his band’s upcoming album, Intimacy:

It was totally hush-hush but we didn’t want to go the whole In Rainbows route and give away for free. We live in a capitalist world and I do want to get paid and I do want to eat.

Ah, the sweet smell of money-makin’, money-money-makin’ in the morning.

But wait!  He goes on to further explain the hard-and-fast marketing tactic behind recent one-off single release “Mercury” (”Superchrist” or “G.L.O.W.,” anyone?):

We’re kind of just making it up as we can go along. You can do that these days and it’s pretty exciting I think.

Indeed. So is the key to making friends with the press blatantly discussing your strategies?  We know Jared Paul thinks so.

But so far, Bloc Party has gotten no snarky remarks on Pitchfork or Stereogum or [enter ad nauseum music blogs here].  Quel dommage!

Mancow interview transcript, part two of three

Friday, August 15th, 2008

What follows is part two (part one here) of the Smashing Pumpkins’ radio interview with Mancow Muller last Monday. There is some irreverence in this section, so more than usual it is a good idea to listen to the audio for inflection, tone, et cetera.

Mancow Muller: Where are you at now spiritually, Billy?

Billy Corgan: I’m in a really good place, I’m really happy. I know that’s shocking.

MM: Can you write when you’re happy?

BC: Oh yeah! Oh, I write more.

MM: And fame does weird things, doesn’t it? It did weird things to…I know you guys didn’t change, but boy, everybody around you just turned to *bleep*, huh?

BC: Yeah, it’s been shocking. [laughs] It’s been shocking. You know, it changed me to the extent I had to figure out who I was and go back to who I used to be, for sure.

MM: The suicide talk you gave, about…do you want to talk about that? It got a lot of attention.

BC: Sure!

MM: It’s hard for people to relate to. You’re on the top of the world, you’re writing some of the great songs, timeless songs, and yet you were suicidal. How is that possible, Billy?

BC: Well, I think there’s… Like everybody, I’m a human being. I didn’t face certain things. I think fame gave me a free pass on dealing with my problems. Like anybody else, you wake up on the wrong side of the bed, you’re thinking, “You know what, I got all this money, I got all these cars, I got a hot woman, and I’m ready to throw myself off a roof because it just doesn’t matter.” And you know, of course, one of the great artists of our generation, Kurt, you know, took himself out. And I think, there’s this weird thing in America where fame is the new immortality. And look how many of those people are completely miserable. Like the kid who was in the Indiana Jones movie, he [Shia LaBeouf] flipped his car.

MM: Yeah, he’s miserable.

BC: How old is he, 22 years old? You just want to grab the kid and say, “You have no idea what you’re getting yourself into.” But, I’m sure he’s surrounded with a bunch of people who are making excuses for him already. I just know how that works. Trust me, Mancow: when we were flying, they couldn’t take us out to enough dinners, they couldn’t pat us on the back, they couldn’t tell us how great we were — and the minute it stopped selling like it did, they were gone. And that’s a weird feeling too, because you start thinking, like, “Well, is everybody a liar in my world?” Including bandmates. I’ll give you a perfect example: Our old bandmates, James and D’arcy, constantly complained to the press that I was this crazy dictator and I wouldn’t let them record their music. And they’ve been out of the band for seven, eight years and they haven’t released one song. So am I still suppressing them from a distance? I mean…

Jimmy Chamberlin: [laughs]

MM: Well, you know, the little Asian girl was nice. She was always nice to me. And D’arcy was always asleep, so…

BC: [laughs]

MM: So I can’t really say anything, but I did see you guys in the studio numerous times, and I really wasn’t sure what they did. In fact, early on, I thought they were maybe with the caterers.

BC: Well, they looked good.

MM: They did look good in the videos!

BC: No, I have to say, they did make serious contributions, and it’s not fair to try to go out and denigrate their contributions.

MM: Yeah, but do you enjoy when I do it?

BC: Uhh… [laughs] I can’t argue against you, you know? It’s hard, though, but put it this way: we were all together there for a while and it worked. And God knows why it worked, because behind the scenes it was really impossible. But it did work, and you find yourself thinking there was something to it. But they’ve turned into such thorns in our sides, you know…

MM: Well, they were in the paper yesterday complaining that you haven’t given them money for your ringtones.

BC: Yeah, but see, that’s nice to say in the press, but that’s not really what’s happened. If you notice, they’re not suing me, you know what I mean? And there’s a reason they’re not suing me, because I haven’t done anything wrong.

Mancow interview transcript, part one of three

Thursday, August 14th, 2008

Talk Radio Network’s Mancow Muller interviewed Billy Corgan and Jimmy Chamberlin of the Smashing Pumpkins last Monday. Audio of the interview can be found here.

Here’s the first portion of a lengthy full transcript:

Mancow Muller: Billy!

Billy Corgan: Yeah! Hey, good morning.

MM: I thought you’d never do my show again.

BC: Oh, stop it.

MM: Are we friends now?

BC: We are friends.

MM: Okay. I told you just a couple times that you hurt my feelings when you said that you didn’t think radio really helped the Pumpkins. Have you changed your mind on that?

BC: [laughs] It’s helping me now.

MM: Jimmy’s on the line too, Jimmy Chamberlin. Billy Corgan, the lead singer of the Smashing Pumpkins, Jimmy Chamberlin…

Jimmy Chamberlin: What’s up, Mancow?!

MM: Hey guys. I got a chance to catch you in, uh, I don’t know, Toronto, I think, and it was spectacular.

JC: Oh, thank you!

MM: How are things going for you guys?

BC: Good. We’re so busy, it’s crazy.

MM: What are you working on right now, Billy? Aren’t you working on one of the Guitar Heros or something?

BC: Yeah, I’m going to be in the new Guitar Hero, like, actually be in the new game, which was pretty cool. We just recorded a new song, we’re getting ready for our tour, we’re getting ready for our 20th anniversary tour, we’re getting ready to put out a Gish box set.

MM: The new song is called “G.L.O.W.”, right?

BC: Yes sir.

MM: What does it stand for?

BC: Glorious Ladies of Wrestling.

MM: What?!

BC: Don’t you remember the Glorious Ladies of Wrestling?

MM: Yes! Yes, I do.

BC: I bet you had a few private moments with the Glorious Ladies.

MM: I did, I did, actually. Farmer’s Daughter.

BC, JC: [laughter]

MM: Billy, what weird things turned you on?

BC: Uh, I don’t know. I don’t talk about those things.

MM: You don’t have a record company now, do you?

BC: No, no, we’re free. It’s awesome. I mean, it’s amazing to be free in the market…”market” sounds so businesslike. In the world we live in now, the digital market world, whatever, it’s so cool because you can basically do whatever you want.

MM: Did they ever “get” you, Billy? Did they ever get the Pumpkins?

BC: The last record company, no, unfortunately. But some of the people at our old record company did, and they had everything to do with why we were so successful.

MM: And of course, the minute the Smashing Pumpkins had a hit, a lot of your people started hating you. The minute we played you on the radio people hated you.

BC: Well, that’s just the weird “alternative” world.

MM: But isn’t that weird?

BC: You remember that episode of Star Trek where Captain Kirk had to fight his…self? His anti-Captain Kirk? That’s what it’s like being in alternative rock. It’s like, if you’re too good, they hate you; if you kind of suck and you smell bad and you have a beard, you’re good. It’s that weird thing. You gotta be good enough to be listened to, but bad enough that the mainstream world doesn’t want to hear you. We’ve been around for twenty years now, and we’re still…still getting it done. So we must be doing something right.

MM: You told me something in Toronto that I want to reveal, and I hope you don’t get mad at me. You said you’re making more money now than ever before.

JC: [laughs]

BC: Uhh…did I say that?

MM: Yes, you did. Selling your CDs online, doing whatever the hell you want, no middlemen, touring when you want, collecting the money and not having to divvy it up with record companies and promoters…you’re doing better than ever before.

BC: That’s basically true, but we also have to spend more money to do that, so maybe it’s a bit of a lie, but yeah. Put it this way: the most important thing with that is the freedom — not sitting in the back of your mind thinking somebody’s going to shut us down here somewhere along the chain. I think that’s what’s really important to get back to just making great music, and if people want it, they’ll find it, believe me, in this world.

MM: You’ve made me mad, you’ve burned bridges. Do you regret any of that?

BC: Oh yeah. Of course I do. I’m 41 years old now. I did a lot of stupid things. But I’ll say this: most of the stupid things I did were at least out of the idea that I didn’t care because I wasn’t gonna get on my knees and *bleep* anybody else *bleep*…

MM: What about Jimmy?

BC: Oh, I’ve done that many times.

MM: No, but I mean, would Jimmy have *bleep*?

BC: With the Jimmy Chamberlin Complex, yes, he would have.

JC: [laughs]

BC: The point is we came out of nothing. We were lower-middle-class kids. We didn’t grow up thinking we were gonna be on, you know, Solid Gold or whatever. Suddenly we found ourselves in this situation. So we were like, we had to make weird choices. I think we were immature and we didn’t realize that dying wasn’t a good idea. [laughter] You know, killing ourself, killing each other…those were all bad ideas.

MM: Standing next to Jimmy on stage is an amazing thing. The amount of energy that you put out, Jimmy. You are an amazing drummer. Billy, do you tell him? I know you have trouble with this…do you tell him how great he is?

BC: All the time.

MM: Can you do it right now?

BC: I think Jimmy is the best drummer in the world.

JC: Aww, thanks!

BC: I think no drummer in the world can do what Jimmy does, wihch is to play with that level of power for two hours like that and play to such a high level. And he’s able to play all different styles. Jimmy’s played on mellow songs, heavy songs. I mean, he’s up there with Bonham, you know…

MM: I agree.

BC: That level of drummer who’s been able to play in a different variety of music and have his style impact the way people play the drums, that’s the hallmark of a great drummer. Right now, I think pound-for-pound he’s the best drummer in the world.

JC: Aw, thanks a lot.

HU Podcast #16: Jeff Schroeder Interview, Another Lawsuit, and Tour Predictions

Tuesday, August 5th, 2008

The “An Evening with the Smashing Pumpkins” tour (redux?) is almost upon us, so we got together for one last podcast before the shows begin.

Again, let me know if you’d like to give us your own tour review via email or Skype.

Listen to the whole show (1:18:04)

(download)(iTunes)

This week’s topics:

Panelists
-Chris, Jason, Jill, and Andrew

News
-Jeff Schroeder is interviewed on sp.com. We talk about Jeff’s fit in the band and his crazy, crazy costumes. (9:15)

-Another lawsuit this week as the podcast edges closer to becoming an episode of Judge Judy. (12:29)

-G.L.O.W. is finished and Billy and Jimmy are no longer writing music for “them”, whoever they may be. Is Billy backing away from slow-selling Zeitgeist? Plus, I invent the word “connotivity” and Jill dishes some celebrity gossip. (24:06)

In-Depth Discussion
-Another fictional $100 challenge: predict the song(s) that will be played on this tour for the first time by the reformed Pumpkins. Andrew and Jason go Gish, while I gamble on the 15th anniversary of Siamese Dream. Meanwhile, Jill is cagey with her inside information and explains how babies love the Smashing Pumpkins. (23:31)

Song of the Week
-Geek U.S.A., April 24th, 1999

Despite my claim at the end of this episode, we will indeed have an episode next week, although we won’t be talking about the tour since we will still be on the road. Instead, we will have a one-off type show to hold you over until we return the following week.

How low will Hammond ticket prices go?

Monday, August 4th, 2008

Four days ago floor seats sold for about $50 each on eBay, but right now you can get them for $30 each on StubHub.